admin – Fontana North

JULIAN THOMAS CAPTURES A REFRESHED SOUND ON NEW SINGLE “MR. PERFECT”

April 28, 2022 by admin

Photo Credit: Trung Hoang

Listen here
Watch video here

(Toronto, ON – April 28, 2022) – Toronto based artist Julian Thomas returns with new single and video for “Mr. Perfect” produced by Mikhail Cronin (Freddie Gibbs, Kid Ink,The Game, Jazz Cartier). Julian reemerges with a revamped eclectic sound containing elements of rock to help him achieve his most authentic artistry. “Mr. Perfect” is the first single from his forthcoming EP Drifting Man. When speaking on the inspiration behind the song Julian tells us: “Mr. Perfect is a song about me not being perfect, it’s about me knowing my lane when it comes to love.

About Julian Thomas:

Julian Thomas may be a fresh voice in Toronto’s burgeoning music scene, but the Etobicoke-bred, downtown-hardened creative has been honing his craft for nearly two decades. Since first putting pen to paper at age nine, Thomas has been using music to navigate what he calls his “roller coaster” life, absorbing diverse styles — everything from Michael Jackson to Led Zeppelin, 2Pac to Incubus, Talib Kwali to Pink Floyd — and spitting out raw, emotional soliloquies aimed squarely at the pulmonary artery of every listener. Thomas creates what he calls “conversational music” — hazy, textured, cinematic landscapes on which he stretches his rhymes; vividly recalling moments so personal they shatter people’s hearts, while aiming for “the highest connectivity.”

That Thomas sees himself reflected in such a manner is not surprising. In his music, listeners can hear both sides of the story. Like the man himself, nothing is as it seems: harsh can be beautiful, melancholy can bring unbridled joy. An all around creative Thomas prides himself on his ability to create music that crosses genre borders, meaning he’s not boxed in by genre and explores all areas of his creativity. At the onset of when he began releasing music Julian’s sound was centered around rap records however having a production background Julian felt the need to feel closer to his authentic sound and began to blend rock elements into his music. From Rap to Rock, 2019 marked the start of Julian’s rebirth as he was able to challenge himself and finally hone in on the sound that most resonated with his authentic self. Diligently working with producers Mikhail (The Game, Freddie Gibbs), Ari and Trappy Julian spent time in a creative cocoon creating the sound that would birth his new upcoming project titled “Drifting Man” One thing’s for sure, whatever form his music takes, it’ll always tie back to the agony and ecstasy of heartache: a tribute to those plaintive anthems that have always guided him.

For more info contact: Maria Guiliana // maria@onpublicrecords.com
Connect with Julian: Instagram | Tik Tok

THE ROYAL FOUNDRY DETAIL NEW ALBUM “LITTLE HIGH LITTLE LOW” DUE JUNE 17

April 19, 2022 by admin

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THE ROYAL FOUNDRY DETAIL NEW ALBUM LITTLE HIGH LITTLE LOW DUE JUNE 17

SHARE TITLE TRACK + VIDEO

(Toronto, ON – April 18, 2022) – Indie Alt-Rock duo The Royal Foundry are set to roll out their upcoming album Little High Little Low on June 17th. The band has recently shared two singles from the album, including “Listen To The Beat,” which charted within the Top 15 at alt-radio in Canada, alongside the infectious track “Hello Dreamer Baby.” The band gives fans another taste of the new record with the title track – check out the stunning video below.

Beth Schumacher explains the inspiration behind the track saying, “For years, Jared and I would say to each other, ’Highs and Lows!’ which referred to many things about our life personally and within the music industry being more fluid with good news/bad news. In retrospect,  it was more of a comforting statement shared between us as we navigated through life, never really thinking it would become the inspiration to this song.  But over the pandemic, we were faced with the importance of that statement via our mental health. It was the first time that we’ve ever really focused on that personally and that’s really how this song came to be.”

This searing third offering from the duo aims to confront the pendulum swinging experiences of change. On this record, The Royal Foundry approach their confused, languishing mental health in the face of so much change and division—a division familiar to and echoed loudly across many families all over the world—and see a crack of light at the end of the road. That one beam, filled with hope in a hopeless place, to keep driving them forward.

“We experienced a lot of personal changes all the while watching the world as well as ourselves get more divisive and confused and vulnerable,” Schumacher says. “That is this album. It’s us working through ourselves and finally taking our mental health seriously, while being pessimistically hopeful about our future.”

The Royal Foundry’s last two records rounded out and defined their sound. Here, however, there was an opportunity to, much like the rest of the change swirling around their lives at the time, shift who and what they could be for this project. The album’s first single “Listen to the Beat” exemplifies that with brassy, swelling guitar licks and lilting percussion.

As a band who have long been influenced by their surroundings, it was impossible to not trace the impact the pandemic had on them personally and artistically. The result is a record that stretches them musically and in distinctive personal ways. This album is not calcified or static and neither is Schumacher or Salte. They rode the vicissitudes that is life and are bringing us along on the journey.

In keeping with the theme of their latest single, Jared and Beth will be launching an online fundraiser in support of Unison Benevolent Fund – a non-profit, registered charity that provides counseling and emergency relief services to the Canadian music community. They are here to help professional music-makers in times of hardship, illness, or economic difficulties. Stay tuned to their social channels for more details.

STREAM “LITTLE HIGH LITTLE LOW”

Little High Little Low
Pre-order

Little High Little Low
Stop These Changes
What We Want
Hello Dreamer Baby
Fire Fire
Dead To Me
Greater Good
Shadows In Your Room
Headlights
I Wanna Know
Listen to the Beat

More Info:
www.theroyalfoundry.com

FELIX CARTAL AND ELOHIM LINK UP FOR NEW SINGLE “NOTHING GOOD COMES EASY”

February 11, 2022 by admin

News

Photo Credit: Chase O’Black

FELIX CARTAL AND ELOHIM LINK UP FOR NEW SINGLE ‘NOTHING GOOD COMES EASY’

OUT NOW VIA PHYSICAL PRESENTS

(Toronto, ON – February 11, 2022) – Platinum dance electronic producer Felix Cartal returns with a highly-anticipated collaboration with electronic producer / singer-songwriter Elohim, ‘Nothing Good Comes Easy’. The Vancouver-based stalwart’s latest original production directly follows up his 2021 full-length Expensive Sounds For Nice People, in addition to Elohim’s most recent feature via Lights’ ‘Real Thing’ released at the end of last year. Out now via Physical Presents, ‘Nothing Good Comes Easy’ is available to listen to across all streaming platforms.

STREAM/DOWNLOAD: FELIX CARTAL & ELOHIM – ‘NOTHING GOOD COMES EASY’

The indie-dance track begins with a pulsating bass paired alongside a hushed vocal cut courtesy of Elohim. Her profound lyricism tells the story of two strained lovers striving to fight for the love they share with one another, perfectly brought to life through a plethora of hard-hitting bass drops. Emotionally charged throughout its entirety, it effectively pulls at the heartstrings of the listener leaving one wanting even more sonic magic from the inimitable duo. Overall, ‘Nothing Good Comes Easy’ is a prime release set to kick off the new year, and serves as a noteworthy standout track for both artists.

STREAM/DOWNLOAD: FELIX CARTAL – EXPENSIVE SOUNDS FOR NICE PEOPLE

ABOUT FELIX CARTAL – Taelor Deitcher, known as Felix Cartal, is a Canadian DJ/producer who has collaborated with several major artists such as Kaskade, R3HAB, and Gallant, and has also created official remixes for the likes of Selena Gomez, Zedd, Galantis, Dillon Francis, MØ, Ellie Goulding, Diplo, Anne-Marie & Doja Cat, as well as Daya & Shallou’s ‘Older’. The renowned act has also released four full-length albums over the last decade, including his most recent endeavour Expensive Sounds For Nice People, and currently boasts over 1.9 million monthly Spotify listeners, a highly impressive feat. He has multiple Canadian platinum singles, and won the Best Dance Recording Juno Award for the single ‘Love Me’ with Lights. He has also seen support from BBC Radio 1’s Danny Howard and Diplo & Friends and SiriusXM Chill has also heavily supported several singles, while his Weekend Workout radio show is also featured on SiriusXM via Diplo’s Revolution. His sound can be compared to those of the industry greats of Avicii, Kygo, and Calvin Harris.

“Elohim has this incredible voice that feels beautifully intimate, it makes you feel like she’s in the room with you. Her tone was something I wanted to work with throughout the song, so I fought very hard to keep the whole thing feeling minimal. For that reason, the entire drop is built out of random vowel sounds from her voice, in an effort to keep that intimate feeling alive. I’m always trying to create production that best compliments the vocalist and keep the original emotion intact. This track is haunting and I love it.” – Felix Cartal

STREAM/DOWNLOAD: LIGHTS – ‘REAL THING’ (FT. ELOHIM) [ELEKTRA MUSIC GROUP]

ABOUT ELOHIM – Elohim is a Los Angeles-based singer, songwriter, producer, and DJ. Her monumental discography which has amassed over 300+ million streams includes collaborations with Louis the Child, Wiz Khalifa, Skrillex, and Lights. Elohim has played major festivals from coast to coast including Coachella, Governors Ball, Bonnaroo, Electric Forest, and Lollapalooza. Throughout 2021, Elohim released three installments of her four-part series ‘Journey to the Center of Myself’ which was met with widespread acclaim. On March 17th Elohim will release ‘Journey to the Center of Myself Vol. 4’ which will be followed by a performance at Ultra Music Festival the next week.

“I knew this top line had to go to a very special producer. When I wrote it, I belted it out from my heart. It needed production with as much heart as the lyrics and melody and Felix absolutely was the perfect match. His production elevated the entire song. While writing nothing good comes easy the lyrics poured out of me. When you write from the heart that’s when the magic is ignited” – Elohim

ALL TRACK ASSETS

Follow Felix Cartal:
Web – Facebook – Twitter – Soundcloud – Instagram – YouTube – Spotify

Follow Elohim:
Web – Facebook – Twitter – Soundcloud – Instagram – YouTube – Spotify

MY MORNING JACKET SELF-TITLED ALBUM OUT NOW

October 22, 2021 by admin

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MY MORNING JACKET RELEASES
SELF-TITLED ALBUM TODAY ON ATO

APPEARING ON
THE LATE SHOW WITH STEPHEN COLBERT
FRIDAY, OCTOBER 29

FREE WEBCAST LIVE FROM THE ALABAMA THEATRE
OCTOBER 29 AT 9:15PM ET
VIA NUGS, FACEBOOK, AND YOUTUBE

“The magic of this group has always been their ability to turn the elemental into the transcendental. It is a miracle they pull off frequently on ‘My Morning Jacket’, with confidence and inspiration, every moment a fresh beginning.”
– MOJO (4 stars)

(Toronto, ON – October 22, 2021) – My Morning Jacket’s new self-titled album is out today via ATO Records on two vinyl configurations: 2xLP Clear Vinyl featuring a gatefold jacket with artwork by Robert Beatty, custom inner-sleeves with lyrics, and digital download; and 2xLP 180-Gram Deluxe Colored Vinyl featuring cloudy blue and cloudy orange colored vinyl, deluxe foil gatefold jacket with artwork by Robert Beatty, 24” x 24” circular fold-out poster, custom inner-sleeves with lyrics, and digital download. It is available digitally and on CD as well.

To celebrate the release of the album, My Morning Jacket is offering a free live webcast of their tour leg opening show on Friday, October 29 from the Alabama Theater starting at 9:15pm ET via Nugs, My Morning Jacket’s Facebook Page, and YouTube. The band’s Late Show with Stephen Colbert performance will also be airing on Friday, October 29.

STREAM/PURCHASE MY MORNING JACKET

MY MORNING JACKET is the band’s 9th studio album and reaffirms the rarefied magic that’s made My Morning Jacket so beloved, embedding every groove with moments of discovery, revelation, and ecstatic catharsis. Produced and engineered by James over two multi-week sessions at Los Angeles, CA’s 64 Sound, the album came to life after what looked like a permanent hiatus for the band. But after performing four shows in summer 2019 – beginning with two mind-blowing nights at Red Rocks Amphitheatre – My Morning Jacket was overcome with the urge to carry on. That sense of purpose can be heard throughout the thrillingly expansive MY MORNING JACKET. For all its unbridled joy, songs like the album-opening song “Regularly Scheduled Programming” and the otherworldly, closing “I Never Could Get Enough” once again reveal My Morning Jacket’s hunger for exploring the most nuanced and layered existential questions in song form while simultaneously harnessing the hypnotic intensity of their legendary live show more fully than ever before.

MY MORNING JACKET was initially heralded by “Regularly Scheduled Programming,” as well as its first single, “Love Love Love.” Official music videos are streaming now at YouTube. Last month, the band performed “Regularly Scheduled Programming” on Jimmy Kimmel Live! Last week, they released “Complex,” one of the most frenetic offerings on the album, bringing a shred-heavy urgency to James’s self-reflection.

WATCH “REGULARLY SCHEDULED PROGRAMMING”

WATCH “LOVE LOVE LOVE”

WATCH “REGULARLY SCHEDULED PROGRAMMING”
ON JIMMY KIMMEL LIVE!

# # #

Widely ranked among the greatest live bands of their generation, My Morning Jacket is currently celebrating MY MORNING JACKET on their first US headline tour in six years. Highlights include top-billed festival appearances and multi-night stands at Chicago, IL’s Auditorium Theatre (November 4-6), a three-night New Year’s run at Denver, CO’s Mission Ballroom (December 29-31), and Tempe, AZ’s Innings Festival (February 27). Special guests for the remainder of the tour include Bedouine (October 29 – November 6), Neal Francis (December 29), Flock of Dimes (December 30) and Shannon & The Clams (December 31). My Morning Jacket has partnered with PLUS1 so that $1 from each ticket will go to supporting the National Council for Mental Wellbeing’s work building capacity for mental health and substance use treatment organizations; The Greenlining Institute’s work towards a just economy where race is never a barrier to opportunity; and REVERB’s tour greening efforts including their Music Climate Revolution campaign, uniting the music community in the fight against the climate crisis. Headcount will also have a presence on tour. For complete details and ticket availability, please see www.mymorningjacket.com/events.

My Morning Jacket has also announced the eagerly anticipated return of One Big Holiday, an all-inclusive concert vacation set for March 2-5, 2022 at The Moon Palace Cancún resort in Riviera Cancún, Mexico. Presented in partnership with CID Presents, the fourth iteration of One Big Holiday will see My Morning Jacket performing three nights at a one-of-a-kind beachfront concert venue specially reimagined for the event. One Big Holiday will also include performances by some of the band’s favorite artists and pals, including Lord Huron, Brittany Howard, Black Pumas, Sharon Van Etten, Trampled By Turtles, Preservation Hall Jazz Band, Steel Pulse, and many more. A limited range of all-inclusive One Big Holiday packages remain available – for complete information, please visit mmjonebigholiday.com.

In partnership with REVERB and Fandiem in efforts to create a climate positive tour, My Morning Jacket is offering fans a chance to win a trip to One Big Holiday. Fans who donate to REVERB will be automatically entered for a chance to win and join the band in Riviera Cancun, Mexico for One Big Holiday. The winner will receive two tickets for an all-inclusive 5-night Deluxe Room hotel stay, roundtrip air travel & ground transportation, Jim James’ new signature Gibson guitar, and more.

My Morning Jacket: Jim James (vocals, guitar), Tom Blankenship (bass), Patrick Hallahan (drums), Carl Broemel (guitar), and Bo Koster (keyboards).

MY MORNING JACKET
MY MORNING JACKET
(ATO Records)

Tracklist (Standard and Deluxe):
Regularly Scheduled Programming
Love Love Love
In Color
Least Expected
Never In The Real World
The Devil’s In The Details
Lucky To Be Alive
Complex
Out Of Range, Pt. 2
Penny For Your Thoughts
I Never Could Get Enough

MY MORNING JACKET
ON TOUR 2021-2022

OCTOBER
29 – Birmingham, AL – Alabama Theatre # SOLD OUT
30 – Live Oak, FL – Suwannee Hulaween SOLD OUT
31 – New Orleans, LA – Orpheum Theatre # SOLD OUT

NOVEMBER
2 – St. Louis, MO – Stifel Theater #
4 – Chicago, IL – Auditorium Theatre #
5 – Chicago, IL – Auditorium Theatre #
6 – Chicago, IL – Auditorium Theatre #

DECEMBER
29 – Denver, CO – Mission Ballroom *
30 – Denver, CO – Mission Ballroom **
31 – Denver, CO – Mission Ballroom ***

FEBRUARY 2022
27 – Tempe, AZ – Innings Festival

MARCH 2022
2-5 – Riviera Cancún, Mexico – One Big Holiday

APRIL 2022
21-24 – Miramar Beach, FL – Moon Crush

# Special Guest Bedouine
* Special Guest Neal Francis
** Special Guest Flock of Dimes
*** Special Guest Shannon & The Clams

CONNECT WITH MY MORNING JACKET:
MYMORNINGJACKET.COM | INSTAGRAM | FACEBOOK | TWITTER | YOUTUBE

FELIX CARTAL ‘EXPENSIVE SOUNDS FOR NICE PEOPLE’ OUT NOW

June 25, 2021 by admin

News

Image Credit: Trevor Brady

WATCH: Expensive Sounds For Nice People (Album Trailer)

(Toronto, ON – June 25, 2021) – Platinum producer Felix Cartal releases his 4th studio album Expensive Sounds For Nice People via Physical Presents. Also taken from the album are previously released “Mine” with Sophie Simmons, and “Love Me” with Lights; both are certified Platinum in Canada, with the latter one also winning the Dance Recording of the Year at the Junos 2020. Other remarkable tracks on the album include “Only One” with the hit UK singer-songwriter Karen Harding and “My Last Song” with the rebellious Norwegian songstress Hanne Mjøen, “Too Late” with the Juno Award-winning singer and composer KROY (from Quebec duo Milk & Bone), as well as “The Life” with Fjord as well as several solo indie dance anthems from Felix, which find themselves at home on the album. Cartal’s earlier “Get What You Give” also reached Platinum status, while one of the most recent singles “Happy Hour” with Kiiara was featured on 32 Spotify New Music Friday playlists as well as Billboard’s Best New Dance Tracks.

A release nearly three years in the making, Expensive Sounds For Nice People covers a range of emotions: from the ecstatic highs of new love to the frustrating lows brought by inevitable heartbreak, all held up by a backbone of unique house music. Felix Cartal lures listeners onto the dancefloor with an array of strong female vocals, showcasing some of the best singers the pop world has to offer one unforgettable track at a time, as each occupies its own sonic realm of indie dance and none is quite like the other

Felix Cartal shares the history behind the album: “My fourth album Expensive Sounds For Nice People is part of the second musical chapter in my life. My first two albums were the first chapter of my musical career: a scrappier, undeveloped, experimental phase where a lot of the ideas didn’t quite get executed how I would want from lack of skill or know-how. I’m still fond of that time and those releases, but was ultimately frustrated that I couldn’t make what I wanted come to life exactly how I heard it in my head. The other big problem from that era was consistency, and basically that’s what I’ve become obsessed with. Growing up arguably through one of the worst eras of one-hit-wonders in musical history, I remember constantly being disappointed when I bought an album and there was only one good song. I hated that. And I think remembering that has guided me into this second chapter of my life. Where I’ve just tried to grind it out daily at the studio and work on my skills, and trying to become more consistent. I’m more into the ‘Jiro Dreams of Sushi’ chef approach nowadays, where I just try to log hours every day to refine my craft. Not too concerned with the result from that specific day but knowing that if I stack those hours I will in fact improve. I want every song to be 100% something I’m proud of, or it’s not coming out.”

He goes on to further elaborate: “The title of the album is a tongue in cheek description of all this. The sounds, to me, are expensive because I know time is a valuable commodity and I’ve logged the hours to get there. On the other hand, as an artist, who knows what even gives art value half the time? But for me, the fact that people still to this day take the time to write me heartfelt messages about my music, inspires me to keep going and to keep creating. So this album is for them, the Nice People who take the time to care, and for me, because I care too. I hope the album, from front to back, is enjoyable. I’ve worked very hard on every detail for the past 3 years.”

The Vancouver-based Felix Cartal has collaborated with several major artists such as Kaskade, R3HAB, Gallant has also created official remixes for the likes of Selena Gomez, Zedd, Galantis, Dillon Francis, MØ, Ellie Goulding, Diplo, Anne-Marie & Doja Cat as well as Daya & Shallou’s ‘Older’. The Vancouver-based producer has been featured by major Youtube channels Trap Nation, MrSuicideSheep, MrRevillz, Chill Nation, The Vibe Guide, Selected, xKito amongst others, and has earned over 360 million plays across platforms. Felix Cartal has been featured in tastemaker publications such as Billboard, FLAUNT, Complex, Dancing Astronaut, Popdust, Clash Magazine and Wonderland Magazine, to name a few. He has also seen support from BBC Radio 1’s Danny Howard and Diplo & Friends and SiriusXM Chill has also heavily supported several singles, while his Weekend Workout radio show is also featured on SiriusXM Diplo’s Revolution. His sound can be compared to those of the industry greats of Avicii, Kygo and Calvin Harris.

STREAM EXPENSIVE SOUNDS FOR NICE PEOPLE HERE

Expensive Sounds For Nice People LP Tracklisting

The Life (feat. Fjord)
Over It (feat. Veronica)
Harmony
Layover
Mine (with Sophie Simmons)
500 Days
Old Self (feat. Ofelia K)
We Fall
Only One (with Karen Harding)
My Last Song (feat. Hanne Mjøen)
Love Me (with Lights)
Going Up
Happy Hour (with Kiiara)
Jealous
Hygge
Too Late (feat. Kroy)

“Felix Cartal is here to bless the masses with timeless music”
FLAUNT

“Friday vibes are exemplified on “Happy Hour,” a joyous new collab between Canadian producer Felix Cartal and anti-pop star Kiiara.”
BILLBOARD

[Felix Cartal] “It goes from a cool electro place into some more mellow, halftime vibes during the hook. No earth-shattering drops, no pandering. This is just good music for great people.”
COMPLEX

“Cartal’s proficiency in the studio shines and seamlessly rises above traditional conventions of genre and format”
Dancing Astronaut

“Felix Cartal has turned “You Get What You Give” into a full-on EDM blast, the kind of thing you expect to hear at four A.M., as you’re waiting for the sun to rise.”
Popdust

“The platinum-selling producer is back, matching his arena-level electronics to a potent pop touch.”
CLASH Magazine

“Mine” follows the producer and DJ, Taelor Deitcher’s irresistible sonic formula: melting melodic electro-pop sensibilities with slick body-shaking bass lines, this time relaying an ode to lost love with the honey vocals of singer Sophie Simmons”
Wonderland Magazine

Follow Felix Cartal:
Web – Facebook – Twitter – Soundcloud – Instagram – YouTube – Spotify

FELIX CARTAL ANNOUNCES: EXPENSIVE SOUNDS FOR NICE PEOPLE LP

May 7, 2021 by admin

News

Image Credit: Trevor Brady (for Felix Cartal)

Multi-platinum Producer & DJ, Felix Cartal, ANNOUNCES:
Expensive Sounds For Nice People LP

Teams up with UK’s Platinum-selling hit singer-songwriter Karen Harding on ‘Only One’

Stream/download: ‘Only One’

(Toronto, ON – May 7th, 2021) – Platinum producer Felix Cartal has announced the release of his upcoming album, Expensive Sounds For Nice People on June 25th via Physical Presents. Ahead of the album release, the producer teamed up with pop artist Karen Harding on the stunning single ‘Only One’ out today! Felix Cartal has already released several hit singles from the album, including ‘Mine’ with Sophie Simmons (currently nominated for JUNOS Dance Recording of the Year), and ‘Love Me’ (which are both certified platinum in Canada) with ‘Love Me’ (featuring the singer LIGHTS) also winning the Dance Recording of the Year at the 2020 JUNOS His previous single, ‘Get What You Give’ also reached platinum and Felix’s last single, ‘Happy Hour’ with Kiiara was featured on 32 Spotify New Music Friday playlists as well as Billboard’s Best New Dance Tracks. Along with those already released singles, Felix shares the remaining track listing and reveals the album art below.

UK Hit Singer-Songwriter Karen Harding’s impressive body of work now surpasses 400 million combined Spotify streams. After the worldwide success of her last single ‘Un-Do My Heart’, with Digital Farm Animals now passing 20 million streams, her current UK single with Shift K3Y titled ‘Morning’ is on airwaves across the world. Hailing from Durham County, Karen will next be leading into her first-ever mini-album due in July on Ultra Music.

High energy, high romance and high expectations are carrying us into the summer with Felix Cartal’s latest single, ‘Only One’ featuring the stunning songstress Karen Harding and her unforgettable style. A playful attitude radiates throughout the single as the “give and take” atmosphere harnessed between the unique production style and powerful vocals lead us into a day of flirty fun and nights with blurry memories.

Felix Cartal has collaborated with several major artists such as Kaskade, R3HAB, Gallant has also created official remixes for the likes of Selena Gomez, Zedd, Galantis, Dillon Francis, MØ, Ellie Goulding, Diplo, Anne-Marie & Doja Cat as well as Daya & Shallou’s ‘Older’. Vancouver-based Felix Cartal has been featured by major Youtube channels Trap Nation, MrSuicideSheep, MrRevillz, Chill Nation, The Vibe Guide, Selected, xKito amongst others, and has earned over 360 million plays across platforms. He has also seen support from BBC Radio 1’s Danny Howard and Diplo & Friends and SiriusXM Chill has also heavily supported several singles, while his Weekend Workout radio show is also featured on SiriusXM Diplo’s Revolution. His sound can be compared to those of the industry greats of Avicii, Kygo and Calvin Harris.

Felix Cartal tells us about the creation of the single: “I wrote this one with Karen, Chelsea and Nick during a spontaneous session in LA. I feel like I have two modes when I make music, mode 1 would be something with an emotional heaviness and mode 2 would be a response to just break away and make something that’s more of an uplifting escape. It was the summer, and I definitely was in mode 2.”

Karen Harding further elaborates on the single: “I loved this writing session. We were all on such a high and I think it definitely came across in the song. We wanted to write a song about that overwhelming feeling of when you know someone is ‘the one’, we’ve all felt it at some point.”

Expensive Sounds For Nice People LP Tracklisting
Pre-order here

The Life (feat. Fjord)
Over It (feat. Veronica)
Harmony
Layover
Mine (with Sophie Simmons)
500 Days
Old Self (feat. Ofelia K)
We Fall
Only One (with Karen Harding)
My Last Song (feat. Hanne Mjøen)
Love Me (with Lights)
Going Up
Happy Hour (with Kiiara)
Jealous
Hygge
Too Late (feat. Kroy)

“Felix has carved his own path in this crazy dance music world, building a loyal fan base track by track”
– BILLBOARD

“Cartal’s proficiency in the studio shines and seamlessly rises above traditional conventions of genre and format”
– Dancing Astronaut

[Kiiara’s] “chopped and screwed vocals sit so perfectly in the track’s jerky electro that you almost forget they’re there.”
– The Guardian

Kiiara’s lighter-than-air vocals are coupled with a flirtatious beat on “Intention,” which definitely didn’t get as much consideration as Low Kii Savage single “Gold,” but is no less catchy.
– Billboard

[Kiiara’s ‘Gold’s] chorus had a trance-like pull, chopping up vocals and splicing them into an indecipherable hyperpop concoction.
– Pitchfork

Follow Felix Cartal:
Web – Facebook – Twitter – Soundcloud – Instagram – YouTube – Spotify

Follow Karen Harding:
Web – Facebook – Twitter – Soundcloud – Instagram – YouTube – Spotify

LIDO PIMIENTA SHARES NEW VIDEO FOR “COMING THRU”

March 9, 2021 by admin

News

Photo Credit: Andres Navarro

LIDO PIMIENTA SHARES NEW VIDEO FOR “COMING THRU” FROM HER ACCLAIMED ALBUM MISS COLOMBIA – WATCH HERE

MISS COLOMBIA NOMINATED FOR 2021 GRAMMY®: BEST LATIN ROCK OR ALTERNATIVE ALBUM

PIMIENTA TO PERFORM IN GRAMMY AWARDS PREMIERE CEREMONY® THIS SUNDAY AT 12:00 PM PT / 3 PM ET

MISS COLOMBIA NOMINATED FOR 2021 JUNO AWARD: ALBUM ARTWORK OF THE YEAR

(March 9, 2021 – Toronto, ON) – Lido Pimienta has shared a new video for “Coming Thru” today, a track featured on Miss Colombia, one of the most celebrated album releases of 2020. Watch the video HERE.

“The song is about surviving, deciding when to share and when to stop sharing, and understanding when one is being used,” Pimienta said of “Coming Thru.” “The characters could be your own conscience, anxieties or fears.” Of the new video, she added, “This is a third installment between Orly Anan and I, and with the support of our director, cinematographer and amazing crew, we made it happen in the safest way during the pandemic in Mexico City. The creatures next to me are acting as my conscience but most importantly, my sense of power, surrounded by the abundance of colorful fruits and foods that are to be shared ONLY by the ones who want to protect us.”

This Sunday at Noon PT / 3:00 PM ET, Pimienta will perform at the 2021 Grammy Awards Premiere Ceremony which will stream live at Grammy.com. Pimienta’s first-ever Grammy nomination, Miss Colombia is nominated in the ‘Best Latin Rock or Alternative Album’ category. Pimienta recently spoke with Grammy.com about being a first-time nominee and her inspirations behind the album – read that conversation HERE.

Upon its release in April 2020, Miss Colombia was met with an 8.0 from Pitchfork, 4 out of 5 stars from Rolling Stone, Album of the Week by Stereogum and named one of the best albums of the year (so far) by Billboard. In an interview with i-D, Pimienta described Miss Colombia as “a cynical love letter” to the country. Key appearances include a release day performance with Pitchfork via Instagram, a live discussion with Chicano Batman hosted by The Talkhouse, and her performance of “Nada” for COLORS has over 1 million views.

The album fuses electro-cumbia with pop, resulting in an album that is as fascinating as it is powerful. Its title was in-part inspired by the 2015 Miss Universe mishap in which Steve Harvey mistakenly crowned Miss Colombia, instead of Miss Philippines. It caused Lido to reflect on the anti-blackness she’s experienced. In a review broadcast on All Things Considered, NPR described the album as “a complicated ode to a country and a culture that still struggles to celebrate its black and Indigenous women.”

Listen to ‘Miss Colombia’

https://www.lidopimienta.com/

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WE WERE SHARKS ANNOUNCE ‘NEW LOW’ OUT MAY 21

March 4, 2021 by admin

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OTTAWA’S WE WERE SHARKS RELEASE NEW VIDEO FOR “PROBLEMS”

ANNOUNCE NEW ALBUM NEW LOW OUT MAY 21, 2021

(March 04, 2021 – Toronto, ON) – Ottawa pop-punk group We Were Sharks, have released a brand new single and video “Problems” – check it out here.

“Problems,” as well as previously released singles “Shameless” and “Bring Me Down” all come off of the band’s forthcoming album New Low, due out May 21, 2021 via Known Accomplice. Fans can pre-order the record here.

On New Low, lead vocalist Randy Frobel shares, “New Low is a collection of songs that we created that focuses on being down but not out. Since the release of Lost Touch, we’ve experienced many of life’s ups and downs. We’ve lost relationships, friends and family, and have gone through a lot of unexpected challenges that life has a tendency to throw at you when you least expect it. However, no matter what may have tried to keep us down or hold us back, we always take the hit and keep pushing forward.”

He continues on the new single, “‘Problems’ could be considered a typical song about a relationship. It’s about being with someone and passionately loving one another, being angry with one another, and overall, being stubborn. In the heat of the moment, we find ourselves saying things we never genuinely mean, and that’s where ‘problems’ can usually start. It’s not that the love between one another is gone, even when it sometimes feels like it; instead, it’s about needing to be heard.”

We Were Sharks’ flippancy is a breath of fresh air in the face of a pop-punk scene that’s very self-serious (and seriously lacking self). While many of their peers wax poetic about wearing their hearts on their sleeves, this Ottawa band wears their wit in their moniker; they literally were a band called Sharks until legalities threatened to stop the party.

But the party didn’t stop, as the band cheekily updated their name and carried on, and it continues on sophomore LP New Low. Irreverence inspires the lyrics, more a means to an end than some meaningful and profound proclamation that would position We Were Sharks as pop-punk philosophers.

By swinging to both sides of pop-punk, both the pop and rock edges, the band expanded their sound while shrinking from three guitars to two. It’s the kind of thing that will make the van a little roomier when touring returns. Similar to their sonic gains made since the release of Lost Touch, We Were Sharks were growing their draw with their first proper US experiences. That included a slot at punk rock mainstay The Fest and tours alongside fellow pop punk satellite acts like A Wilhelm Scream, Such Gold, Youth Fountain, Assuming We Survive, Boys of Fall.

Not like the added space would be a huge worry. With an album like New Low, We Were Sharks are ready to reach a new high — and that could include a Bandwagon, or even bus. The only thing holding them back is the reality of the world they’re rearing to take over.

New Low will be released May 21, 2021. For more information, please visit http://www.weweresharks.com/.

New Low Tracklisting

Shameless
Bring Me Down
Problems
Over This
New Low
Burning House
Ashley (Pt. 2)
Golden
Omens
Ready To Go

For press photos, please see here.
For high-res album art, please see here.
For official bio, please see here

We Were Sharks is Randy Frobel (vocals), Jason Mooney (guitar), Colin Jacques (guitar), Matthew Sears (bass) and Will Plummer (drums).

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BLXCK CXSPER SHARES NEW TRACK AND VIDEO FOR “SELF MEDICATING”

February 26, 2021 by admin

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Photo Credit: Pooja Sethi

HONORED ON FIRST BILLBOARD AGENTS OF CHANGE LIST AND FEATURED AS ONE OF CBC QUEBEC’S BLACK CHANGEMAKERS

(Toronto, ON – February 26, 2021) – Montreal artist and Trans Trenderz label founder, Blxck Cxsper, returns with their latest single and video for “Self Medicating.” A very vulnerable track for Cxsper has them opening up about their struggles with suicide, depression, and their recent diagnosis of autism.

Watch the video below…

In their own words, Blxck Cxsper digs into the track, saying:

“My whole life I’ve been feeling extremely lonely. No matter how many friends I thought I had, how many girls were into me or how much visibility I received with my work, I’ve always felt misunderstood. Unable to cry for help because I simply had no idea what type of help I needed.

And that’s been a very recurring theme in my music, to the point where my stage name reflects that: if you think about who Casper is, he’s this ghost who is overly empathetic and desperately wants to connect with people, yet is unable to express it, and is therefore seen as terrifying. All I’ve ever wanted was to connect with people but besides making music, I never knew how.

And then a few weeks ago, after ‘Self Medicating’ was done and set to release, I found out that I am autistic. And now everything makes sense.

‘Self Medicating’ is a song about me, an autistic person who is going through life masking as neurotypical, not knowing that that’s what they’re doing and that that’s why they feel so lonely and so hopeless. And the same way this song helped me find the words to finally learn about myself, I’m hoping it will help others the same way.”

Earlier this year, Cspxer was named one of Billboard’s first Change Agents: Leaders Stepping Up In A Year of Turmoil, highlighting their efforts to boost up-and-coming Black trans artists. “Music has the power to humanize trans people in the eyes of society,” Cxsper told the magazine. “Building a platform to elevate Black trans voices into the mainstream music industry is the way that I’m contributing my skills to help.” Read more HERE. They were also featured in CBC Quebec’s Black Changemaker series, highlighting people from the province’s Black communities who are giving back, inspiring others, and helping to shape our future. More here.

With a voice reminiscent of The Weeknd accompanied by the afro-trap rhythms of MHD, Blxck Cxsper’s music is inspired by all the different countries that witnessed their growth. They mix softness with confidence and give raw sensuality and intimacy to hard-hitting trap beats, a contradiction that manages to feel very natural. On “Self Medicating”, Casper shows a softer side and really shows their versatility! Despite the odds stacked against them, Blxck Cxsper’s music is a force to be reckoned with.

About Trans Trenderz

Trans Trenderz was launched in 2016 when Cxsper curated and produced a mixtape of the same name, featuring 14 Trans artists. The feeling at the release party was unlike anything they had experienced before. “You could feel how excited people were to finally see Trans folks on stage. It didn’t feel like a show, more like a family reunion,” they explain. “There was no hierarchy between the artist and the audience, everybody was contributing to the love in that room in their own way.” Wanting to continue to provide that space for themselves and other like-minded artists, Trans Trenderz officially evolved into a record label, signing Transgender and gender non-conforming acts.

In June of 2020, when the Black Lives Matter movement regained traction, Cxsper offered to make beats for other Black Trans artists. Within days, 30 artists reached out to them to collaborate. Around the same time, Myla, a Black Trans woman from Dallas, TX, contacted Cxsper wanting to donate some of her PUA money to help Black Trans people. They decided to use the funds to cover release costs for Black Trans musicians, and a new endeavor, The Ghostly Beats Project, was born. As soon as it was announced, Black Trans artists and allies alike began to get in touch to become involved, and it has continued to grow from there. More than a label, Trans Trenderz is a movement, uplifting Black Trans Voices through creative collaboration and supporting each other as a family.

STREAM “SELF MEDICATING” HERE

BLXCK CXSPER ONLINE

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RODRIGO Y GABRIELA UNVEIL THE JAZZ EP

February 18, 2021 by admin

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Photo Credit: Ebru Yildiz

GROOVE-POWERED COVER OF KAMASI WASHINGTON’S “STREET FIGHTER MAS” PREMIERED ON KCRW’S MORNING BECOMES ECLECTIC TODAY

NEW VIDEO AVAILABLE TODAY

3-TRACK EP ALSO INCLUDES DISTINCTIVE VERSIONS OF MUSIC BY SNARKY PUPPY AND ASTOR PIAZZOLLA

THE JAZZ EP ARRIVES VIA RUBYWORKS/ATO ON FRIDAY, MAY 14

(Toronto, ON – February 18, 2021) – GRAMMY® Award-winning guitar virtuosos Rodrigo y Gabriela have announced their first release of the new decade. The JAZZ EP will be available via Rubyworks/ATO beginning Friday, February 18 with an exclusive vinyl release, limited to just 3,000 copies worldwide, pressed on cloudy orange vinyl and individually numbered. Pre-orders are available now. The JAZZ EP will arrive on standard vinyl and at all DSPs and streaming services on Friday, May 14.

The JAZZ EP is heralded by the release of “Street Fighter Mas,” composed and originally performed by Kamasi Washington and available today – coincidentally, Washington’s 40^th birthday – at all DSPs and streaming services. The song was premiered earlier today on KCRW’s Morning Becomes Eclectic. The song is accompanied by a celestial performance video available now.

WATCH “STREET FIGHTER MAS”

PRE-ORDER JAZZ EP

“It was a no-brainer for us,” says Rodrigo. “Kamasi is one of the most exciting jazz musicians out there and ‘Street Fighter Mas’ has such a good groove.”

“It was a challenge for us,” adds Gabriela, “recreating the instruments with just two guitars, so it became a kind of game. We had to change a few bits and pieces, especially in how I interpreted the drum parts on my guitar.”

In addition to “Street Fighter Mas,” the JAZZ EP further includes distinctive covers of Snarky Puppy’s “Lingus” and Astor Piazzolla’s “Oblivion,” the latter highlighted by a guest appearance from flamenco-guitar legend Vicente Amigo.

“When you play someone else’s music,” says Rodrigo, “you need to get outside your own headspace, and learn from scratch, it’s a real challenge. We had great fun, we hope you like it too.”

The JAZZ EP continues a deeply creative period for Rodrigo y Gabriela, even as the COVID pandemic keeps them working from their home in Zihuatanejo, Mexico. The EP follows last fall’s release of METTAVOLUTION LIVE, an all-new double album recorded during Rodrigo y Gabriela’s sold-out 2019 METTAVOLUTION World Tour. METTAVOLUTION LIVE is available now via Rubyworks/ATO as 2LP, 2CD, and digital download.

RODRIGO Y GABRIELA
THE JAZZ EP
(Rubyworks/ATO)
Release Date: May 14, 2021

Track List:
Street Fighter Mas
Lingus
Oblivion (Feat. Vicente Amigo)

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